The Intersection of Nature and Technology Through the many decades that I’ve been photographing landscapes, utility poles of all kinds, sizes and wires have been a nuisance. Their placement often interfered with rural settings, and in cities the lines tended to be a mess. I don’t like being critical, but when I see these, the […]
What had to happen for these leaves to be photographed? Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the […]
Chapter 10: Gradation Aesthetically speaking, “gradation” refers to a gradual or graded change of tone over a surface. Artists refer to it as a grading of “values.” In color photography, gradation can be a transition from one hue to another or to a different level of saturation or brightness. In black and white, it’s the […]
Chapter 6: Contrast In photography, “contrast” is the ratio between the darkest dark and the lightest light within a frame. It’s said to be “soft” when there’s very little difference between the lights and darks, “medium” in what we regard as normal, and “high” when an image has both maximum blacks and brightest whites.” Contrast […]
Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 2: Atmosphere Atmos is a Greek word meaning “vapor.” Sphaira means “sphere.” Combined, scientists use the word “atmosphere” to describe the layer of gases surrounding a planet, held in place by gravity. Artists have long understood that atmospheric effects contribute to the emotional tone of a painting or photograph. Misty variations in light and […]
Chapter 7: The Transcendent Approach I asked ChatGPT (AI) to introduce this subject with a short poetic reflection on photography as an ideal medium for seeing beyond the senses. A Photographic Invocation Light is the oldest language. Before words, before memory—there was light falling on form. The camera does not invent beauty; it recognizes […]
Chapter 4: Everyday Beauty Searching for opportunities to compose elements within a frame in ways that fed my aesthetic hunger, I frequented scrap yards, construction sites, abandoned buildings, empty fairgrounds, railroad graveyards and antique shops. As a consequence of creating order out of visual chaos, I was experiencing beauty in unconventional places and subjects. It […]
Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]
The Power of Emergents The earth’s atmosphere with watery clouds was established about three billion years ago. When creatures emerged with eyes around 100 million years ago, they probably beheld skies something like this. While researching the evolutionary timeline for this information, my attention peaked at the word “emergence,” defined by science as a process […]
Contemplative Photography 