Graphic Images

 

(More photos at the end of the text)

The word “graphic” comes from the Greek graphikós, “to draw.” Photographs that  contain only solid black and pure white values with little or no mid-tones are regarded as graphic because of their resemblance to drawing. Strong black lines and shapes help the eye to focus on the linear essences of a subject, their form and geometry. Curiously, there can still be a sense of depth, even when the background has been dropped out.

As with sculpture where stone is chipped away to reveal the subject within, graphic images strip away information—units of visual change—in order to create impact. In the Buddhist tradition, aspirants are encouraged to eliminate identification with their body and mind in order to realize their true nature. Likewise, the transformation of a continuous tone photograph into a graphic image involves the elimination of  elements that don’t contribute to the subject’s identification. It reveals form as essences.

I find it interesting and beautiful that the arc of life moves from simplicity to complexity and back to simplicity again—building, amassing, and complexifying reaches a point where the tendency reverses toward reducing, eliminating, and simplifying.

Graphical excellence is that which gives to the viewer the greatest number of ideas in the shortest time with the least ink in the smallest space.

Edward R. Tufte

A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.

Antoine de Saint-Exupéry

 

Zebra

Cattails

 


 

 

About These Images

These images were all made by contact printing an original negative with a piece of Kodalith film. That produced a positive image, which was then exposed in contact with another sheet of Kodalith film to make a negative that could be printed. This film, manufactured by Eastman Kodak Co., is no longer available—in part because the same effect can be achieved digitally with much less time, effort and money.

Magic Hour In Ohio

(Several images to follow)

Ohio gets its name from the Iroquois word ohi-yo meaning “great river.” In Japanese the sound-alike word, “ohayo,” is an informal way of saying “good morning.” In filmmaking parlance, the time when our place on the planet turns toward the sun is the equivalent of a “fade-in,” a transition from black screen to a scene. The fade-out of the day is dusk of course. Photographers and others refer to these periods of grading sunlight as “magic hour,” and for good reason—the world puts on a different face as darkness gives way to yellow and increasingly bluer light and long shadows. The change in color temperature is so gradual it’s barely perceptible—except when you’re out with a camera and you have to rush to get the shot before the light changes. In those moments, seconds can make the difference between a shot that elicits a “Wow!” and one that doesn’t.

The ancients speak of the day as being “born” when the sun rises. Standing in the early morning fog, poised in the silence interrupted only by croaking frogs and geese taking flight, I understand that. In the dark, sitting in the car next to a lake or forest, waiting for the first rays of light to brighten the sky, there’s the feeling of pure potential. When the fog and details of the scene slowly appear—as the possibilities becomes actualized—it’s time to get out of the car and respond to the atmosphere, forms and colors.

Being alone in nature to witness the birthing of a new day is indeed, magical. In the observation of life as a complex of interacting processes, there’s a hint of the primordial—like this is how it was before cars and telephones and people. There, in front of my camera, the universe is expressing life, manifesting infinite variety and complexity in a process of realizing unlimited potentials.

In the dew of little things the heart finds its morning and is refreshed.

Khalil Gibran
About These Images

I plan my photographic excursions so I can  settle into a lodging facility by five or six o’clock in the evening, depending on the season. A half hour later I set out with my camera and shoot until dark. I’ll have something to eat and go right to bed so I can get up and out in the morning while it’s still dark. I’ll shoot through magic hour, and then return to the room to shower. Depending on the location, I’ll photograph during the day if conditions warrant, but more often I just scout the countryside for interesting locations.

I usually choose an area for its particular ecological and geologic features. Once there, I try to get lost. With a GPS system, I can always find my way back to the motel. I favor dirt roads, always keeping an eye out for ponds, streams and interesting vistas. Always, it’s the quality of the light and atmosphere that determines my direction. As much as possible, I keep the sun on the driver’s side so it backlights the landscape.

 

Early Morning Pond

Early Morning Pond

Weeds on Pond

Early Morning Pond

Early Morning Pond

Early Morning Pond

Early Morning Pond

Tree Reflection in Pond

Early Morning Pond

Sheep In Meadow Fog

Georgetown and east to Paris, KY

 

 

 

The Shaker Aesthetic

 

Shaker Clock

 

The Shakers were founded in England in 1747 by Mother Ann Lee. They practiced celibacy. Men and women lived apart in dormitory-like buildings, but they came together to work and pray. They believed in personal communication with a God who was both male and female. They had hymns and work songs. Observing their rhythmic swaying and dancing, outsiders gave them the name “Shakers.” At their peak, they had about 6,000 members, with eighteen communities in New York, Massachusetts, Connecticut, New Hampshire, Maine, Ohio, Indiana, and Kentucky, one of the largest of which was 300 strong.

The men were shrewd about making money, producing and selling objects they made or invented, including a circular saw, washing machine, and flat brooms. They quickly gained a reputation for the simplicity and durability of their furniture items. One example is the ladder-back chair shown below.

These photographs were made over the course of several visits to Shaker Village in Pleasant Hill, Kentucky. We went as a family and stayed overnight in rooms furnished and appointed in the Shaker tradition. There was much to see and photograph, and the produce served in the restaurant was grown in a large garden outside.  Altogether it was an experience of peace, quiet, and simplicity conducive to reflection.

For me, the appeal of the Shaker aesthetic is that it is an excellent example of how the design principles of sacred geometry—demonstrated in nature, ancient sacred sites and cathedrals—suggest grandeur and spiritual presence. In the case of the Shaker aesthetic, these include symmetry, the “golden mean” or ratio, long lines, centeredness, openness, muted consistency of color, a lack of clutter, the unobstructed control of natural light through windows, and light grading across rounded surfaces such as ceilings.

Don’t make something unless it is both necessary and useful;

If it is both necessary and useful, don’t hesitate to make it beautiful.

That is best which works best.

Beauty rests on utility.

Simplicity is the embodiment of purity and unity.

Shaker dictums

 

 

 

 

 

Shaker Meeting Hall

 

 

Shaker Measuring Tools

 

 

Shaker Meeting Room

 

 

 

 

 

 

Shaker Candle Holder

 

 

 

 

Shaker Window

 

Shaker Dressing Room

 

 

Shaker Schoolroom

 

My  portfolio site is: David L. Smith Photography

 

Maize

For me, one of the best things about summer in Ohio is corn! Considering my affinity toward Central America, I prefer the term “maize,” an Indian word meaning “sacred mother,” or “giver of life.” The ancient Maya creation story features the maize god—referred to as “First Father.” When the waters that covered the earth receded, the first mountain to appear contained enormous bounties within it. Having sacrificed himself to defeat certain flaws, the maize god descended into the Underworld. Chaak, a lightning and rain god, came along and with his mighty axe split open the earth, which was perceived as a great turtle or crocodile. The maize  god ascended through the crack, thereby defeating death and distributing the bounty, maize in particular. First Mother ground the maize into a dough and that became flesh for the first human beings. The ancient Maya were known as the “People of Maize” because they literally believed they were constituted of it. And ever after, the maize plant has been a primary metaphor for the human lifecycle.

First cultivated in Mexico, maize was developed by natives living in Central America—Olmec and Maya—at least 7,000 years ago. It was heavily traded throughout North, Central, and South America. Native Americans used sweet corn leaves as chewing gum. Columbus brought it back to Europe. The early settlers in the New World learned from the natives how to make various dishes including corn bread, corn pudding, corn soup, and fried corn cakes.

Maize is a domesticated grass. It does not exist in the wild. The tassel at the top of the stalk is the male part and the silk of the ear is the female part. The tassel releases millions of grains of pollen, and some of them are caught by the silk. There’s one strand of silk for each kernel on a cob. Depending upon the cultivated type, the crop may be ready for harvesting in 65-90 days. On average an ear of maize has 800 kernels in 16 rows, and there is always an even number of rows on every cob. Amazing!

The U.S. corn crop acreage, put together, would cover all of Germany. In the U.S., it takes 91 gallons of water to produce one pound of corn (European word). Maize is cholesterol free and a good source of vitamin C and A, potassium, thiamine and fiber. It’s very high in antioxidants, is 100% whole grain, and high in natural sugars/starches.

If you wish to make an impact for one year, plant corn; if you wish to make an impact for a generation, plant a tree; if you wish to make an impact for an eternity, educate a child.

Chinese Proverb

Reverence For Light

Reverence For Light

 

I dedicate this posting to my friend, Marty Ducheny, who kept me laughing and admiring his ability to turn a phrase. On one of our many walks in Spring Grove Cemetery—where he is now buried—he commented that my photography reflected a “reverence for light.” It was such a fine and true statement, I put together an exhibit of about eighty black & white photographs and exhibited them at Xavier University’s art gallery using that phrase (and this image) as the title. It was very well attended; very gratifying. Afterward, I published a Blurb book by the same title, using this photograph for the cover.

Light is energy and it’s also information, content, form, and structure. It’s the potential of everything.

David Bohm

Light created the eye as an organ with which to appreciate itself.

Johann Wolfgang Goethe

About This Image

I was rearranging my darkroom and had a common hardware store reflector with a 150 watt bulb in it, clamped to the rafters above my bench. It was just a work light. Linda came to talk and I noticed her beautiful fingernails. Wanting to photograph her hands and work quickly, I tilted the reflector up and had her hold  her hands in front of it—with her elbows on the bench to keep them still. I guessed at the exposure, took one hand-held shot and discovered that I was out of film. Some things are just meant to be.

One of the good things about self-publishing with Blurb, aside from the printing quality, is that visitors to the site’s bookstore can review a book by turning all the pages. If you care to visit, here’s the link to Reverence For Light and my other Blurb books.

I invite you to visit my portfolio site: David L. Smith Photography

An a reminder: My current email address is: smithdl@fuse.net

Change

This image has special meaning for me. I was in high school, a new member of the camera club, wandering the streets of downtown Cincinnati at night looking for photographs. A building had recently been demolished at the corner of 5th and Plum Streets and, unlike today where such places are fenced in, I was free to walk around. I  made several exposures of City Hall and the Cathedral in the distance, with beams and mounds of bricks and debris from the demolished building silhouetted in the foreground. The shattered glass on the ground caught my eye and this photograph is the result.

Eight years later I was employed by the television station that had built a new facility on that very spot—the same station where I’d performed on The Dottie Mack Show, as one-third of her special guests, The Pantomime Trio. I was eleven years old. Fast forward several decades and the TV station was replaced by a much larger structure that evolved into the current Duke Energy Convention Center. As if my being attracted to the place where I would be employed as a cinematographer were not enough of a synchronicity, when I took the position of director of the television center at Xavier University, I inherited the lighting grid from that same station—the lights that my sister, a friend and I performed under.

Now, looking at this image, I reflect on the process of change. Buildings are demolished to make way for more, bigger and better structures. Mortar, glass and steel are still used, but in much improved and variable forms. We speak of “positive” and “negative change,” but the labels only apply to us because we are flesh and bone and we have feelings, all of which can easily be hurt. From a much broader perspective, change is evidence of life. And as such, it affirms that life is evolving. Advancing. I wonder about the term “inert,” because nothing qualifies. Throughout and including the universe as we currently know it, nothing stays the same forever. Everything changes. By defining “life” as that which changes, the universe and everything in it is “alive,” a living system.

At the human level, because I think and feel, I have preferences and expectations. I want the changes I experience to satisfy my physical, mental, emotional and spiritual needs and wants. When that happens I’m in my comfort zone, moving forward on the crest of the universal “tide.” On the other hand, when entropy manifests as breakdowns or blocks in these areas of my being, it feels like the universe is not friendly, not cooperating, holding me back or making things difficult. Placing blame is a natural first response. And then I search for reasons. Why is this happening? What does it mean? And then I remember, in themselves breakdowns and blocks are not the cause of my distress or disappointment—they are impersonal events. Just happenings, whatever the cause. It’s my resistance to them that causes confusion, disappointment, dissatisfaction and suffering—not getting my way, things not working they way I want or expect them to. My experience of the difference between one morning when the traffic flows on the expressway, and the next when it’s backed up entirely depends upon my response to it. I can rail against it and look for someone or something to blame. Or I can settle back, observe and allow that this is the way life is moving and wait for the situation to change. What’s “negative” about change is either the perception or the response.

It’s wonderful and inspiring to hear people expressing a desire to create “positive change” or “make a difference in the world” by improving conditions for individuals, systems and societies. I salute them and they give me hope for the future. Equally, I honor and respect those who, by the quiet manner of their courageous living—I think of my dad—the quality of their character or simply their loving presence are affecting change. Mathematician Petru Dumitriu wrote, “If I love the world as it is, I’m already changing it: a first fragment of the world has been changed, and that is my own heart.” What encourages my patience and optimism in the face of negative changes are those three little words—loving the universe “As it is”—constantly loving what is by stepping back, observing and allowing.

Through breakdowns, blocks and disappointments, I want to remember that today’s disaster, however small or large—symbolized here by the shattered glass—will give rise to something better tomorrow. And yes, that too will eventually succumb to entropy. But out of the ashes will come another advance, and another and another as life inexorably moves onward and upward. Life began on this planet about 3.6 billion years ago with self-replicating molecules. That we’re still here and considering how far we’ve come is for me, a source of confidence that life “knows” what it’s doing. My challenge and privilege is to accept it on its own terms.

The only way to make sense out of change is to plunge into it, move with it, and join the dance.

Alan W. Watts

About This Image

Title: Shattered Glass

File #: 065-A2

I got down on my knees in order to position the highlights—from a street light—so the glass shards would form a pleasing composition.

I invite you to visit my portfolio site: David L. Smith Photography

And a reminder: My new email address is: smithdl@fuse.net

Immigration

Experiences, positive and negative, result in assumptions that drive policies, action and reactions, all of which have consequences for identity, for demonstrating—not just talking about—who we are as a people. A case in point is the current global immigration crisis. The purpose of this blog is to reflect and appreciate through the contemplation of images, so my intention here is neither to judge nor offer solutions to this complex issue. Instead, I reflect on the assumptions underlying the creation of laws that drive decisions, which in turn have consequences. Atticus Finch’s closing argument in To Kill A Mockingbird, illustrates the power of assumptions.

“The witnesses for the State…have presented themselves to you, in this court, in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption—the evil assumption—that all Negroes lie, that all Negroes are basically immoral beings, that all Negro men are not to be trusted around our women, an assumption one associates with minds of their caliber. Which gentlemen, we know is in itself a lie as black as Tom Robinson’s skin, a lie I do not have to point out to you. You know the truth, and the truth is this: Some Negroes lie, some Negroes are immoral, some Negro men are not to be trusted around women—black or white. But this is a truth that applies to the human race and to no particular race of men. There is not one person in this courtroom who has not told a lie, who has never done an immoral thing, and there is no man living who has never looked upon a woman without desire.”

The science of whole systems and the fact of biological evolution support the long term viability of “inclusion.” Life evolves by creating variety, and despite the accommodations it requires, the dynamics of diversity propels evolution forward. Within all living systems there are cells that, for a variety of reasons, are or become toxic. In the human body, the immune system is the first line of defense in protecting the body as destructive cells grow and develop. The social equivalent of the immune system are law enforcement agencies. 

An unexamined, trial and error approach to managing immigrants, creates tension within the social body and stirs up resentment and anger beyond it. When a society fences itself off from diversity—and possibly destructive individuals—it severely limits it’s future potential, resources and resilience. Persons, humanely treated, have positive potential that can be cultivated. Aside from those few bent on destruction, the vast majority of immigrants are highly motivated to make things better. Their intention is constructive. Among them may be the next generation’s great contributors. The downside to an exclusion strategy is the limiting of diversity, an essential feature of biological evolution. Closing out also fences in. In time, the “insiders” limit their resources and capabilities to innovate, to create solutions to new challenges and adapt to change gracefully. 

A compassionate people view themselves as a whole, interdependent system composed of individuals capable of manifesting both light and shadow, angel and devil, good and evil. They devise laws and puts into place systems that attempt to minimize the darkness, but not at the expense of the light. When faced with a cancerous tumor, unless we give up, we don’t sit down and wall ourselves off from the world. We deal with the offending agents, try to contain them or remove them while continuing to function. It makes no sense to disadvantage the health and well-being of the whole, when threatened by a few. 

Of course, the world has changed dramatically since the days of Ellis Island where 450,000 people entered the United States in the first year. And of the 12 million admitted between 1892 and 1954, only 2 percent were deemed unfit to become citizens. Certainly, the American “melting pot” was more of a “cauldron,” but out of it came the scientific geniuses, captains of industry, artists, engineers, philosophers, educators and politicians—and you and me—who built and continue to build the most powerful free nation on earth. 

Destructive forces have always played, and continue to play a central role in biological, human and social evolution. It’s one of the ways Nature continuously renews itself. Now that humanity is largely in charge of evolution, it’s how we learn what works, what doesn’t, and how to manage the shadow aspect within all of us. Currently, we’re learning that a reactive posture, operating from fear, only concedes more power to the powers of destruction. It’s one of the ways they succeed and grow.

The measure of a people’s strength and greatness is not their potential to destroy. It’s the ability to create a context wherein diverse people can be safe, optimize their health and pursue an education that will help them realize their higher potentials and dreams. 

Breakdowns present an opportunity to shift direction, to make a fresh examination and choose more wisely by considering the consequences of policy and action before they’re implemented. With regard to making judgment about a group of people, I paraphrase Atticus’ response to the evil, shadow aspects of human nature, made by the prosecution and bystanders: we know the truth, and the truth is this: some people lie, some people are immoral, some people, irrespective of race, religion, national origin or worldview cannot be trusted. But this is a truth that applies to the entire human race. There is not one person who has not told a lie, who has never done an immoral thing, who can be trusted 100%. It’s a perspective that encourages tolerance, fairness and compassion, qualities associated with light.

 

Begin challenging your assumptions. Your assumptions are the windows on the world. Scrub them off every once in awhile or the light won’t come in.

Alan Alda

About This Image

I was walking by a schoolyard at lunchtime and had a camera with me. One of these kids came over and said “Hey mister! Take my picture.” I told him to get some of his friends together and I would. He did. And I did. That was in 1962.

My email address changed a while back. As a reminder, it’s: smithdl@fuse.net

You are invited to visit my portfolio site: David L. Smith Photography

 

 

Abundance

Shopping Carts

 

In the 2010 movie, “Meek’s Cutoff,” a scout, claiming to know a shortcut through part of the treacherous Oregon Trail, led a wagon train of three families across a desert. Although the film doesn’t answer the burning question “Did they find water after many days without it?” the artful and realistic depiction of their difficulties made a lasting impression on me. In one scene, to lighten their load, the settlers dumped their furniture and other precious items out the back of the buckboards. In another scene, a runaway wagon is destroyed and the family’s water barrel breaks open. Adding to their mistrust of the guide—and at times each other—they argue over whether the Indian they captured is leading them to water or away from it.

In my novel, Jaguar Sun: The Journey of an Ancient Maya Storyteller, the protagonist spends his days traveling jungle trails between cities, some of them seven days apart, on foot, through the tropical cycles of wet and dry seasons. I’m amazed by the resilience and determination of those who came before us, across cultures. Relatively speaking, the abundant American lifestyle that we enjoy is only a recent development, only a few of generations in duration. When I was a child, my grandparents used a coal-fired stove, had a dirt floor pantry, got water from a well and had no indoor plumbing. Now, for Linda and me, the prospect of moving, even within the same city, is quickly dampened by the need to move our—okay, mostly my—stuff.

I’am amazed by what it takes for me to live from from morning to night. A recent road trip provided a demonstration. Just to spend a day photographing, my car needs to be filled with stuff—peanuts in case I had a blood sugar problem, a cooler to keep water and film cold, four camera cases, two tripods, flash unit, a filter kit, exposure meter and log book and a flight bag with waders, socks, underwear, a spare pair of shoes, items on hangers and more.

As life and living becomes more complex, physical systems expand. Early on, Eastman Kodak Company profited greatly by the fact that cameras needed to consume film and paper, that needed chemicals to be processed, and variations on these to meet the demands of special circumstances and techniques, thereby generating even more revenues. Every appliance is a system that needs to be continuously fed, or at least maintained. I can’t just have a computer. I have to have peripherals, applications, service contracts, cabling, bluetooth, backup drives and a printer that consumes paper and ink. The same with smart phones, televisions, DVD players and other entertainment systems. Professionals and hobbyists alike, in every area, need a lot of “stuff” in order to do their work or exercise their creativity. Businesses have an insatiable appetite for consumables, as do sport-related systems that require equipment and uniforms. It’s a guess, but I estimate that we use twenty times the number of disposable batteries we used five years ago.

Those of us who live in an abundance society are privileged, but with it comes the responsibility to minimize our ecological footprint. So also, state and governmental agencies that should be managing resources wisely, that is, sustainably. While “consumerism” and the uncaring, unconscious production and consumption attendant to it, can rightly be cited as a contributor to global warming and a variety of social ills, the argument that the earth is finite, a closed system, doesn’t hold water. As a living system, the earth is autopoietic—self-creating. It’s continuously making itself over. Evolutionary biologist, Elisabet Sahtouris, observed that the Earth is an autopoietic system, a whole system, “A giant cell within whose boundary membrane other smaller cells evolve, multiply, die and are recycled—(all these are) holons forming within the great Earth holon.”

The planet adapts and renews itself in response to natural and man-made change. Of course that doesn’t guarantee that the human species can or will survive such adaptations. And that’s one of the good reasons to cultivate foresight and invest in responsible planetary stewardship, to look ahead and plan responses to devastating potentials such as rising sea levels, rogue diseases, terrorism and asteroid bombardment.

What to do? I can get books, CD’s, DVD and more at the library rather than purchase them. I can donate books I don’t intend to use. I can recycle our everyday waste and save fuel in a number of ways. The list goes on. But mostly, I can reduce consumption overall by making decision more conscious of environmental consequences. Is this a need or want? Considering the above image, I can be more aware and selective in what I put in my shopping carts—on and off line.

Doing what you love is the cornerstone of having abundance in your life.

Wayne Dyer

About This Image

Title: Shopping Carts

File #: DC 5982

I’d spent the day photographing around Champaign, Illinois. After dinner, I was going to my car when I noticed these carts all neatly lined up. The long shadows on the pavement served as vectors compositionally, and the cast shadow of the light pole broke the static, bottom-heavy elements, so I got out my camera and took the shot. In Photoshop I increased the brightness and contrast so the textured wall wouldn’t be as prominent as it is in the original file. I also increased the “clarity” in Adobe Lightroom so the carts would be crisp. I don’t recall the name of the store, but there’s a big, backwards “R” on each of the carts.

I invite you to visit my portfolio site: David L. Smith Photography

Enrichment

Harvest Moon

Reflecting on this image, I thought about how, at various times of the year, farmers enrich the soil to get desirable results. It led me to consider what I do to enrich my life. And am I sufficiently engaging in those activities and environments?

Movies, television programs and commercials show people having fun, but seldom do they show people engaged in activities that are enriching. Lately I’ve noticed that in some cities the preference of park boards has been to provide facilities for recreation—picnic shelters and benches, playgrounds, merry-go-rounds,  playing fields, volleyball courts, golf courses, canoeing and walkways where vendors can set up for special occasions. Other cities place more emphasize on the management of the natural environment itself. For instance, the Metro Park system in Columbus, Ohio has as its stated mission, “To conserve open spaces, while providing places and opportunities that encourage people to discover and experience nature.” In one of their brochures I learned that each year, “More than 7 million people enjoy quality outdoor times in the parks, and more than 180,000 people participate in free nature education programs.” Nature first, human recreation second. I drive a hundred miles to explore and photograph in those parks because, although there are picnic venues within them, the primary features and attractions are nature, undisturbed by man-made objects and structures.

Certainly, we who live in urban areas need outdoor places where our families can have fun. But we also need well managed and maintained wilderness places where the spirit can be renewed, where we can walk through tall forests and gorges, meander along creeks and discover meadows, ponds and marshes—diverse ecosystems where birds, reptiles and animals are protected. When in nature we can breathe better. A recent study at the University of Michigan found that walking in nature improved short-term memory, restored mental energy (reducing fatigue), relieved stress, reduced inflammation, improved vision and concentration, contributed to sharper thinking and creativity, boosted the immune system and reduced the risk of early death. Didn’t we already have a sense of that? We say a walk in nature “re-charges our batteries,” perhaps because we come away feeling “charged” with fresh inspiration and determination—clearer thinking. There’s also a kind of satisfaction that derives from experiencing nature—like having a drink of water after being very thirsty. For me, the word that encompasses these benefits is “enrichment.”

And nature is just one source for enrichment. These sources abound, even in the most complex aspects of modern life. For instance, why do I choose not to have a smart phone or engage in social media? Why do I continue to write this blog when only a few people subscribe to it? Why do I research, write and self-publish novels when only a handful of people will read them? And why do I continue to photograph with black-and-white film? Because all of these activities are enriching, they feed my soul.

Of course, what enriches one person will not necessarily enrich another. Just as some plants thrive in nitrogen-rich soil, others abhor it. The challenge then is to discover the activities and environments, even the people and social situations, that feed our particular soul—and engage them regularly.

Everybody needs time to reflect and contemplate, and the most inspirational and peaceful place to do so is in nature.

Akiane Kramarik

About This Image

Title: Harvest Moon

Location: Wilmington, Ohio

File #: 992

I made this photograph on one of my two-day photography expeditions. I’d set up my 4×5 view camera by the side of the road to shoot in the other direction. The light wasn’t right, so I waited. And waited. And I looked around. The sky was so bright when I started, I hadn’t noticed the moon. And the expanse of field seemed featureless. Still, I kept looking in that direction because of the wispy clouds. I must have waited a half hour for the sun to set between a barn and a silo. When it finally did, I took the shot. By then the sky had darkened and the moon became obvious, so I crossed the street and composed another shot, the moon above the field.

Suddenly, what I thought was smoke appeared on the horizon to the right. I was going to wait until it dissipated to take the shot, but when I realized that it was dirt being stirred up by a tractor I changed my mind. The tractor was moving slowly enough that I had time to do a critical focus, take a meter reading, set the exposure and insert the film holder. By waiting, I also noticed that the sky darkened even more, making the moon and clouds a little brighter. When the stirred-up dirt reached the left side of the frame I took the shot.

Continuity

The Persistent Seeds

It’s not unusual to see vegetation sprouting through cracks in the pavement, but these little plants were growing in mud alongside a railroad track that had been thoroughly covered with oil. They speak to me of the resilience and continuity of life. In this instance, seeds from dying plants sunk into the mud and were overlaid with more mud and water, snow, ice and oil spills. Nevertheless, despite these conditions and a harsh winter, when the moment was right, the cells within these plants awakened to the call of Spring and, rising in the direction of heat and light, gave birth to the forms of their “ancestors.”

Observing this process—and relating it to the lifecycle of maize plants—the ancient and modern Maya adopted the belief that death gives rise to life. While the ancients believed that only divine kings would reincarnate, the general population believed—as many do today—that their sons and daughters “replace” the souls of their grandfathers and grandmothers, providing continuity of their lineage essences. Ethnographers studying the Maya report that within certain societies, when an elder dies his relatives begin to look for his “kex,” a newborn replacement for him within the extended family. (It’s similar to the Tibetan’s search for the reincarnation of the Dalai Lama. Also for the Maya, as with maize and other crops, birth and rebirth demonstrates conclusively that life is not a straight line of events from birth to death, but a continuous cycle, a sacred round wherein life—and consciousness—“breathes” in and out, allowing old forms to die and new forms to be born.

Although the forms we take bear some resemblance to those of our fathers and mothers, and we carry within us their genes—along with many of their values, beliefs and aspirations—we are, like the plants in this image, new and unique individuals carrying forward the biological essences and thought patterns of our ancestors. Just as the composition of the soil influences a plant, the physical, mental and social composition of the environments we grow up in condition our thinking, responding and creating, often in ways that are different from our parents. Because consciousness increases with complexity, each generation is more knowledgeable and aware than the last. And this increased awareness, particularly as it multiplies and globalizes, will lead us—gracefully or painfully—to assume greater responsibility for the quality of the “soils” that will nourish our grandchildren and their grandchildren when they “Touch the Earth”—the Maya’s way of referring to a soul’s incarnation.

For indigenous people the world around, maize was the perfect metaphor for life because a single stalk will be toppled by gusts of wind. To survive, it must grow in close community where there is support.

To live is to communicate life, because life is essentially a spreading, growing phenomenon. Therefore, the more one communicates life, affirms life in one’s fellows, gives oneself to enhance their lives, the more one is alive, is truly living, and thus, is truly oneself.

Beatrice Bruteau

About This Image

Title: The Persistent Seed

File #: DC4169

Before 9/11 I often photographed in railroad yards. Since then, because of security restrictions, it has become difficult to gain access. This image was captured at a railroad crossing close to the highway. Judging by the number of pools of oil up and down the tracks, there had recently been a leak or spill from one of the tankers. This little green plant, poking its leaves out of the muck, called to me and I couldn’t resist. In Photoshop I increased the contrast of the ground and raised the saturation of the green leaves just a bit.