Pertaining to the ways in which visual elements are perceived and organized.
Chapter 8: Seeing the Divine Spark in People The apparent value of an old timepiece displayed on a table at an antique fair is increased by isolating it on a velvet cloth rather than placing it in a box with lots of other watches. Artists mat and frame their best works, and museums separate their […]
Chapter 7: The Transcendent Approach I asked ChatGPT (AI) to introduce this subject with a short poetic reflection on photography as an ideal medium for seeing beyond the senses. A Photographic Invocation Light is the oldest language. Before words, before memory—there was light falling on form. The camera does not invent beauty; it recognizes […]
Chapter 6: Wabi Sabi — The Japanese Aesthetic of Impermanence We tend to think of entropy as something “bad,” the inevitable tendency of matter to disintegrate, for all living things to die. As embodied creatures, we naturally would prefer to avoid this downward spiral—for ourselves, loved ones, pets, creations, cherished objects and the systems we’ve […]
Chapter 5: Particularity My wife and I occasionally visit antique stores and fairs. I walk up and down the many rows of vendors, looking for objects that might attract me, especially a quality of light and one or more of my aesthetic preferences. In the above image I found three of them—exquisite light, simplicity and […]
Chapter 4: Everyday Beauty Searching for opportunities to compose elements within a frame in ways that fed my aesthetic hunger, I frequented scrap yards, construction sites, abandoned buildings, empty fairgrounds, railroad graveyards and antique shops. As a consequence of creating order out of visual chaos, I was experiencing beauty in unconventional places and subjects. It […]
Chapter 3: Fine Art, Expression, Contemplation In the early 1950s, when I was introduced to photography, the debate was raging as to whether or not photography could be considered an art form. In January 1955 Edward Steichen launched an exhibition at The Museum of Modern Art in New York City entitled, The Family of Man. […]
Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]
The Aesthetic Experience Philosophers since Plato have sought to define and describe the aesthetic experience. Among them there’s agreement that it’s a capacity unique to human beings, a contributor to well-being and different for each individual, but there’s no consensus on what it is in essence. This is understandable because the word “aesthetic” is an […]
Introduction to a 10-Part Series No matter how slow the film, Spirit always stands still long enough for the photographer it has chosen. Minor White, fine art photographer, educator Today I’m beginning a series that describes my spiritual approach to photography. The title of the blog itself, “Contemplative Photography,” can mean different things […]
An aesthetic and so much more There’s an intrinsic satisfaction, an aesthetic pleasure, that comes from the experience of light when it plays a prominent, sometimes dominant, role in a photograph or painting. The works of masters such as Rembrandt, Turner, and Hooper are largely characterized and revered for the qualities of light they depict. Light […]
Contemplative Photography 