Chapter 9: Geometry Artistically, form and geometry are interconnected but distinct creative dimensions with unique expressive roles. The previous chapter on “form” was about creating a three-dimensional sensibility on a two-dimensional substrate, usually an electronic screen or paper; the object was to create the sensibility of depth. “Geometry” in the context of creative expression, deals […]
Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Principles underlying information in human communication I was thinking about the complexity represented in this image when I noticed that it’s also rich in context, providing both time and space perspectives. The nighttime and elevated point of view displays pattern, while the time-exposure reveals motion. Combined, the image speaks to me of complexity, interaction, order, […]
What we see depends on where we stand In a film script, Point of View (POV) can indicate the camera position or the viewpoint of a character. In a screening of an episode of “24,” the TV series featuring Kiefer Sutherland, the President of the United States and the Vice-president vehemently disagreed on whether or […]
The wider our view, the more we can encompass In a previous blog I noted that it’s the brain that sees, not the eyes which send data via electrical impulses to the brain where they are interpreted to make seeing instantaneously possible. The image above, taken with a zoom lens, reveals something about perception—beyond merely […]
In art, perspective is used to create the illusion of three dimensions on a two-dimensional surface. It was the Renaissance artist Leon Battista Alberti and architect Filippo Brunelleschi in the fifteenth century who first started talking about “linear perspective,” the use of straight lines or lines created by light to understand the change from near […]
Aesthetically speaking, the “shape” of an object within a picture frame is two-dimensional. It appears flat. Forms, however, like everything in the real world, are three-dimensional. As such, they convey a sense of presence, as if the viewer could reach in and touch the subject. Application If the objective of the image […]
Contemplative Photography 