Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 3: Fine Art, Expression, Contemplation In the early 1950s, when I was introduced to photography, the debate was raging as to whether or not photography could be considered an art form. In January 1955 Edward Steichen launched an exhibition at The Museum of Modern Art in New York City entitled, The Family of Man. […]
The value, precautions and prospects of machine-made images Inspired by Jerry Uelsmann‘s photomontages in 1975, I spent the better part of a day searching through my proofs to find images that might work together to make an intriguing composite. On another day, I did the actual printing in the darkroom with a variety of masks, […]
Contemplative Photography 