The Aesthetic Dimensions in Art and Society

Chapter 11: Key The terms “low key” and “high key” are often used in photography. They refer to photographs that are overall bright or dark. “High Key” images are predominately light or  white, like a white cat sitting on a white sofa. “Low Key” is dark and somber, a black dog in a dark tunnel.  […]

Flow

It makes a huge difference where we’re planted “Going with the flow” is an expression that suggests it’s a better life strategy is to align with rather than resist what’s happening. As guidance for individual behavior, paddling with the “current”—in the context of home, work and relationships—is certainly easier than paddling against it. In this […]

The Language of Color

In my experience, more people seem to be moved more by color photographs than black and white. That’s understandable—color is more visually stimulating and it’s how we see the world. Our brains are wired for it. In our photography classes at RIT we sometimes heard some adage: “If you can’t make it good, make it […]

Adaptation

Evolution’s main principle for survival One of Darwin’s principles of evolution became popularized in the phrase “survival of the fittest.” The problem with memorable slogans like this is that they simplify complex phenomena. In this instance, Darwin’s observations were correct, but his interpretation missed the mark. Scientists now understand that “fitness” does not necessarily mean […]

XV. Proportion

As an aesthetic dimension, proportion expresses the relationship of elements within a frame—to each other and to the whole image. Traditionally, paintings and photographs displayed logical proportion where everything within the frame conformed to observation. The part-whole relations made sense, so little to no interpretation was necessary.  Then in the early ‘20s, Picasso and Salvador […]