Pertaining to the ways in which visual elements are perceived and organized.
The nature of this aesthetic dimension is expressed as a continuum, determined by the number of visual elements within the frame. A photograph of the moon against a black sky with no stars counts as one element. If the light of an airplane is visible, or if there are stars, each is another element. Changes […]
In geometry, a “point” is a single location. A “line” is an extension of a point, an elongated mark, a connection between two points or the edge of an object or situation. Artist Paul Klee said, “A line is a dot out for a walk.” Practically speaking, lines serve to define length, distance, and shape. […]
As an aesthetic tool, “emphasis” shows one element standing out or apart from others. It can differ from them in subject matter, color, size, shape or placement within the frame. Whatever the difference, the exceptional element stands out as the center of interest. It’s the most important element and key to the image’s meaning. The […]
One of my long-standing pet peeves has been littering. I even won a speech contest by ranting and raving about it in my high school years. Linda and I were running errands recently and we saw several places strewn with litter. Two years ago when I contacted the person in charge of cleaning up […]
A blog series featuring form, line, color, contrast, texture, gradation… Television tower This posting begins a series that will focus on the aesthetic tools that visual artists and others use, singly and in combination, to create still and moving images that accomplish specific communication objectives. Knowing the purpose of an image before we pick up […]
In pictorial art, composition relates to how visual elements are organized within a frame. Both Eastern and Western artists through the centuries developed insightful guidelines to help them maintain the viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s experience of an image. […]
Technically speaking, “contrast” in the pictorial realm is the ratio between the darkest dark and the lightest light in an image. “Soft” contrast at one end of the continuum indicates that there’s very little difference between the lights and darks, the extreme being a “muddy” or “flat” image, gray overall—as in the image below. […]
A recent study in the Journal of Personality and Social Psychology found that “Taking photos enhances the enjoyment of positive experiences across a range of contexts and methodologies.” Among the 2000 individuals studied, those who took photos generally derived more enjoyment from a positive experience—such as a family outing or travel—than those who did […]
This haunting little image was made before sunrise on a cold October morning. I was cruising the back roads in the hills of Amish country in mid-state Ohio, when I saw an orange light in the window and a whisp of smoke—not much else—as can be seen in the color image below. That original was tack […]
As we transition into Autumn, rather than post a series of images—as I did through the summer months—I’ll return to the original format of posting a single image with a brief, associated contemplation. As stated on the home page, the purpose of this blog is to, by way of demonstration, encourage you to use […]
Contemplative Photography 