Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
An aesthetic and so much more There’s an intrinsic satisfaction, an aesthetic pleasure, that comes from the experience of light when it plays a prominent, sometimes dominant, role in a photograph or painting. The works of masters such as Rembrandt, Turner, and Hooper are largely characterized and revered for the qualities of light they depict. Light […]
Shadows are a part of most images, yet they’re generally not given much attention. They do, however, contribute greatly to the illusion of three dimensions and “normal” everyday reality by providing evidence of depth and contrast. Used with awareness and purposefulness, they can be a valuable tool as an aesthetic dimension, even turn an ordinary […]
Contemplative Photography 