Chapter 13: Line Harrold, South Dakota Lines serve to define length, distance and shape, indicating boundaries and separate forms, textures and colors that move the eye and create the illusion of depth—like railroad tracks to the horizon. Physically, they can be many or few, take many shapes, have thickness and depth, length and texture with […]
By our works we are known Blunt, South Dakota When I photographed these orderly rows of young corn extending to the horizon, I was thinking about the farmer and his work, evidenced by the tractor tracks and the amount of time, money and energy it took to plant this enormous field. Reflecting on the image […]
A time to ponder and assess As December 21st approaches, I reflect on the significance that the winter solstice held for indigenous people and mark it in my own life as a way to attune, as they did, to the order and rhythms of nature and the cosmos. Having studied Mesoamerican cultures, particularly the […]
In art, perspective is used to create the illusion of three dimensions on a two-dimensional surface. It was the Renaissance artist Leon Battista Alberti and architect Filippo Brunelleschi in the fifteenth century who first started talking about “linear perspective,” the use of straight lines or lines created by light to understand the change from near […]
As December 21st approaches, I reflect on the significance that the winter solstice held for indigenous peoples and mark it in my own life as a way to attune, as they did, to the order and rhythms of nature and the cosmos. Having studied Mesoamerican cultures, particularly the ancient Maya, for forty-five years, I […]
Contemplative Photography 