Chapter 13: Line Harrold, South Dakota Lines serve to define length, distance and shape, indicating boundaries and separate forms, textures and colors that move the eye and create the illusion of depth—like railroad tracks to the horizon. Physically, they can be many or few, take many shapes, have thickness and depth, length and texture with […]
Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Chapter 7: Depth of Field “Depth of field” (DOF) is the optical property of a photographic lens that determines the degree of sharpness between objects close to the camera and those farther away. When both distances, near and far, are sharp the DOF is said to be “long” or “deep.” When only the point of […]
Chapter 5: Elements of Composition In pictorial art, composition relates to how visual elements are organized within a frame. Through the centuries, both Eastern and Western artists developed guidelines to help them maintain a viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
Chapter 7: The Transcendent Approach I asked ChatGPT (AI) to introduce this subject with a short poetic reflection on photography as an ideal medium for seeing beyond the senses. A Photographic Invocation Light is the oldest language. Before words, before memory—there was light falling on form. The camera does not invent beauty; it recognizes […]
An aesthetic and so much more There’s an intrinsic satisfaction, an aesthetic pleasure, that comes from the experience of light when it plays a prominent, sometimes dominant, role in a photograph or painting. The works of masters such as Rembrandt, Turner, and Hooper are largely characterized and revered for the qualities of light they depict. Light […]
A deeper perspective Philosopher Ken Wilber’s perspective on art in The Eye of Spirit: An Integral Vision For a World Gone Slightly Mad beautifully expresses what I believe is its highest potential—that everything is art. My philosopher friend, Beatrice Bruteau, made it explicit. “Since the divine Artist has chosen to create, we cannot love the […]
Stepping away from distraction and divided attention The light of the body is the eye; if, therefore, thine eye be single, thy whole body shall be full of light. — Jesus (Matthew 6:22) To be whole, authentic, we’re advised to be single-minded—present in the light of Now, present in the light of consciousness. I […]
Contemplative Photography 