Chapter 3: Fine Art, Expression, Contemplation In the early 1950s, when I was introduced to photography, the debate was raging as to whether or not photography could be considered an art form. In January 1955 Edward Steichen launched an exhibition at The Museum of Modern Art in New York City entitled, The Family of Man. […]
An indication of balance and agreement According to Nobel laureate Phil Anderson, “It is only slightly overstating the case to say that physics is the study of symmetry.” The word “symmetry” comes from the Greek, synnetria, meaning “Agreement in dimensions, due proportion, arrangement.” I’ve chosen this theme for contemplation because, somewhere along the line, I’d […]
The value, precautions and prospects of machine-made images Inspired by Jerry Uelsmann‘s photomontages in 1975, I spent the better part of a day searching through my proofs to find images that might work together to make an intriguing composite. On another day, I did the actual printing in the darkroom with a variety of masks, […]
When I was in high school, the authors of biology and chemistry textbooks considered independent motion as the defining characteristic of life. If it moved on its own accord, it was alive—organic. Viewed under a microscope, cells and bacteria move. Minerals do not. Water moves, but it was not considered to be “alive,” except […]
Contemplative Photography 