The Soul of Photography

Chapter 3: Fine Art, Expression, Contemplation In the early 1950s, when I was introduced to photography, the debate was raging as to whether or not photography could be considered an art form. In January 1955 Edward Steichen launched an exhibition at The Museum of Modern Art in New York City entitled, The Family of Man. […]

The Soul of Photography

Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]

Daylily Leaf

  For over a year now I’ve been photographing flowers, plants and weeds in the studio against plain black and white backgrounds. This initiative entitled Reverence For Nature’s Geometry: Flowers, Plants and Weeds In Black and White began with the intention of exhibiting the prints in a gallery setting, allowing me to use my 4×5 […]

Aesthetic Preferences

This haunting little image was made before sunrise on a cold October morning. I was cruising the back roads in the hills of Amish country in mid-state Ohio, when I saw an orange light in the window and a whisp of smoke—not much else—as can be seen in the color image below. That original was tack […]