Chapter 9: Geometry Artistically, form and geometry are interconnected but distinct creative dimensions with unique expressive roles. The previous chapter on “form” was about creating a three-dimensional sensibility on a two-dimensional substrate, usually an electronic screen or paper; the object was to create the sensibility of depth. “Geometry” in the context of creative expression, deals […]
Chapter 5: Elements of Composition In pictorial art, composition relates to how visual elements are organized within a frame. Through the centuries, both Eastern and Western artists developed guidelines to help them maintain a viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s […]
Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]
An indication of balance and agreement According to Nobel laureate Phil Anderson, “It is only slightly overstating the case to say that physics is the study of symmetry.” The word “symmetry” comes from the Greek, synnetria, meaning “Agreement in dimensions, due proportion, arrangement.” I’ve chosen this theme for contemplation because, somewhere along the line, I’d […]
Under stress, we can at least gather our feathers This image of a flamingo illustrates the kind of composure referred to as “equanimity”—steadiness of mind under stress. Calm. His feathers aren’t ruffled. His posture reminds me of the social science phenomenon of “cocooning,” a term coined in the 90’s by trend forecaster Faith Popcorn to describe how […]
In my experience, more people seem to be moved more by color photographs than black and white. That’s understandable—color is more visually stimulating and it’s how we see the world. Our brains are wired for it. In our photography classes at RIT we sometimes heard some adage: “If you can’t make it good, make it […]
What we can do to affect positive change for Earth and humanity In Ken Burns’ documentary, The National Parks: America’s Best Idea, a paradox was cited where Congress debated over whether or not the Grand Canyon should become a “national park” or remain a “national monument.” The former restricts a park against any human use […]
The ways of harmony with nature and other human beings Until they were overpowered by warfare, ancient cultures developed worldviews, philosophies and lifestyles that were largely Earth-oriented and sustainable. While language, rituals and lifestyles differed across cultures, there was consistency in many of their beliefs. That these principles survive in places today is a testament […]
Texture influences how we experience the world through the sense of touch—directly. The tactile sense is so acute and pervasive, images of texture are enough to elicit an experience vicariously. This makes it an important tool for communication and creative expression. When looked at up close or under a microscope, what makes an object textured […]
In considering light as an aesthetic tool, there are two common situations in photography: light that reveals subject matter in its natural condition and light that enhances the subject through management. The factors contributing to management relate to the manipulation of the source—the light’s color or “quality,” intensity, direction, and modifiers, how it’s made more […]
Contemplative Photography 