Chapter 5: Elements of Composition In pictorial art, composition relates to how visual elements are organized within a frame. Through the centuries, both Eastern and Western artists developed guidelines to help them maintain a viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s […]
Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
Chapter 2: Atmosphere Atmos is a Greek word meaning “vapor.” Sphaira means “sphere.” Combined, scientists use the word “atmosphere” to describe the layer of gases surrounding a planet, held in place by gravity. Artists have long understood that atmospheric effects contribute to the emotional tone of a painting or photograph. Misty variations in light and […]
Chapter 1: “Abstract” and “Abstraction” Introduction to the 13-part series The Soul of Photography chapters provided insight and guidance about the function of the aesthetic dimensions relative to creative expression. This begins a series that elaborates those features (“atmosphere,” “contrast,” “gradation,” etc.) with an emphasis on application and technique. Also, I’ll show how the terms […]
Invitations This is the final posting in The Soul of Photography series. Next week begins the follow-on practical series, The Aesthetic Dimensions in Art and Society, which for 13 weeks characterizes the many dimensions—abstraction, atmosphere, contrast, form, key, geometry and so on—with an emphasis on technique. The series is intended to increase one’s aesthetic awareness […]
Chapter 7: The Transcendent Approach I asked ChatGPT (AI) to introduce this subject with a short poetic reflection on photography as an ideal medium for seeing beyond the senses. A Photographic Invocation Light is the oldest language. Before words, before memory—there was light falling on form. The camera does not invent beauty; it recognizes […]
The Aesthetic Experience Philosophers since Plato have sought to define and describe the aesthetic experience. Among them there’s agreement that it’s a capacity unique to human beings, a contributor to well-being and different for each individual, but there’s no consensus on what it is in essence. This is understandable because the word “aesthetic” is an […]
Introduction to a 10-Part Series No matter how slow the film, Spirit always stands still long enough for the photographer it has chosen. Minor White, fine art photographer, educator Today I’m beginning a series that describes my spiritual approach to photography. The title of the blog itself, “Contemplative Photography,” can mean different things […]
An aesthetic and so much more There’s an intrinsic satisfaction, an aesthetic pleasure, that comes from the experience of light when it plays a prominent, sometimes dominant, role in a photograph or painting. The works of masters such as Rembrandt, Turner, and Hooper are largely characterized and revered for the qualities of light they depict. Light […]
Contemplative Photography 