Chapter 12: Light “Photography” literally means writing with light. Awareness of light’s properties and behavior is a critical requirement for all artists, especially photographers. Paying attention to what light is doing contributes to an awareness of how profoundly it qualifies everything we arrange within a frame. Lit in a certain way, a cracked eggshell pulled […]
Chapter 11: Key The terms “low key” and “high key” are often used in photography. They refer to photographs that are overall bright or dark. “High Key” images are predominately light or white, like a white cat sitting on a white sofa. “Low Key” is dark and somber, a black dog in a dark tunnel. […]
Chapter 10: Gradation Aesthetically speaking, “gradation” refers to a gradual or graded change of tone over a surface. Artists refer to it as a grading of “values.” In color photography, gradation can be a transition from one hue to another or to a different level of saturation or brightness. In black and white, it’s the […]
Chapter 9: Geometry Artistically, form and geometry are interconnected but distinct creative dimensions with unique expressive roles. The previous chapter on “form” was about creating a three-dimensional sensibility on a two-dimensional substrate, usually an electronic screen or paper; the object was to create the sensibility of depth. “Geometry” in the context of creative expression, deals […]
Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Chapter 7: Depth of Field “Depth of field” (DOF) is the optical property of a photographic lens that determines the degree of sharpness between objects close to the camera and those farther away. When both distances, near and far, are sharp the DOF is said to be “long” or “deep.” When only the point of […]
Chapter 6: Contrast In photography, “contrast” is the ratio between the darkest dark and the lightest light within a frame. It’s said to be “soft” when there’s very little difference between the lights and darks, “medium” in what we regard as normal, and “high” when an image has both maximum blacks and brightest whites.” Contrast […]
Chapter 5: Elements of Composition In pictorial art, composition relates to how visual elements are organized within a frame. Through the centuries, both Eastern and Western artists developed guidelines to help them maintain a viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s […]
Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
Contemplative Photography 