Chapter 6: Contrast In photography, “contrast” is the ratio between the darkest dark and the lightest light within a frame. It’s said to be “soft” when there’s very little difference between the lights and darks, “medium” in what we regard as normal, and “high” when an image has both maximum blacks and brightest whites.” Contrast […]
Chapter 5: Elements of Composition In pictorial art, composition relates to how visual elements are organized within a frame. Through the centuries, both Eastern and Western artists developed guidelines to help them maintain a viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s […]
Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
Chapter 1: “Abstract” and “Abstraction” Introduction to the 13-part series The Soul of Photography chapters provided insight and guidance about the function of the aesthetic dimensions relative to creative expression. This begins a series that elaborates those features (“atmosphere,” “contrast,” “gradation,” etc.) with an emphasis on application and technique. Also, I’ll show how the terms […]
Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]
The chambered nautilus is a creature that inhabits the Pacific and Indian oceans, today between depths of 600 to 1200 feet. Appearing in the fossil record before fish, dinosaurs and mammals some 500 million years ago, they grew up to 20 feet long! The spiral occurs as walls are formed to seal off and […]
Energy is vibration. It’s largely invisible, but when energy takes a form it’s always geometrical, prescribed by the fundamental laws of physics including gravity and the three Laws of Thermodynamics: 1. Conservation of Energy: Energy cannot be created or destroyed, just changed. 2. Entropy: Matter dissipates; disintegrates. Entropy either stays the same or gets bigger. […]
Children are influenced most by what they see Joseph Chilton Pearce, a respected author on the subject of brain development, wrote that a child’s capacity to operate in the world is determined entirely by the models he experiences in everyday life. He observed that all human intelligences—music, math, art, logic, mechanics, even emotions and intuition—are built into […]
Introduction This begins a series of posts on the subject of whole systems thinking. After the topic is introduced, I’ll offer a contemplation that relates to the headline photograph and text. Historically, patterns observed in nature were discussed and documented in China five thousand years ago, before they were articulated by Lao Tzu (Gia-fu Feng, […]
Contemplative Photography 