Chapter 3: Color as Subject Objectively speaking, the world is colorless. So is the sun. Our brains construct the sensation of color from various radiating wavelengths of photons, depending on how they’re absorbed in and reflected from various surfaces. Visible light occupies just a tiny sliver of the electromagnetic spectrum, constituted of wavelengths that stimulate […]
Chapter 3: Light and Lighting Regarding the mystery that light is, physicist Arthur M. Young wrote in The Reflexive Universe: Evolution Of Consciousness, “Light, itself without mass, can create protons and electrons which have mass. Light has no charge, yet the particles it creates do. Since light is without mass, it is nonphysical, of a […]
Chapter 2: Atmosphere Atmos is a Greek word meaning “vapor.” Sphaira means “sphere.” Combined, scientists use the word “atmosphere” to describe the layer of gases surrounding a planet, held in place by gravity. Artists have long understood that atmospheric effects contribute to the emotional tone of a painting or photograph. Misty variations in light and […]
Chapter 1: “Abstract” and “Abstraction” Introduction to the 13-part series The Soul of Photography chapters provided insight and guidance about the function of the aesthetic dimensions relative to creative expression. This begins a series that elaborates those features (“atmosphere,” “contrast,” “gradation,” etc.) with an emphasis on application and technique. Also, I’ll show how the terms […]
Invitations This is the final posting in The Soul of Photography series. Next week begins the follow-on practical series, The Aesthetic Dimensions in Art and Society, which for 13 weeks characterizes the many dimensions—abstraction, atmosphere, contrast, form, key, geometry and so on—with an emphasis on technique. The series is intended to increase one’s aesthetic awareness […]
Chapter 9: Connecting to Spirit by Rewinding Time In the Introduction to this series, I observed that, because the spiritualization of matter occurs in consciousness, photography is an ideal medium for personal growth and spiritual development. In my experience, the most powerful and effective practice for expanding perception, illuminating the spirit within a photographic subject […]
Chapter 8: Seeing the Divine Spark in People The apparent value of an old timepiece displayed on a table at an antique fair is increased by isolating it on a velvet cloth rather than placing it in a box with lots of other watches. Artists mat and frame their best works, and museums separate their […]
Chapter 7: The Transcendent Approach I asked ChatGPT (AI) to introduce this subject with a short poetic reflection on photography as an ideal medium for seeing beyond the senses. A Photographic Invocation Light is the oldest language. Before words, before memory—there was light falling on form. The camera does not invent beauty; it recognizes […]
Chapter 6: Wabi Sabi — The Japanese Aesthetic of Impermanence We tend to think of entropy as something “bad,” the inevitable tendency of matter to disintegrate, for all living things to die. As embodied creatures, we naturally would prefer to avoid this downward spiral—for ourselves, loved ones, pets, creations, cherished objects and the systems we’ve […]
Chapter 5: Particularity My wife and I occasionally visit antique stores and fairs. I walk up and down the many rows of vendors, looking for objects that might attract me, especially a quality of light and one or more of my aesthetic preferences. In the above image I found three of them—exquisite light, simplicity and […]
Contemplative Photography 