Seeing the Divine as Relationship While researching for my post “What Makes a True Leader” (October 19, 2025), it became apparent that “dominators” historically created and thrived due to a hierarchical social structure. Thinking about it, I began to realize that hierarchies are pervasive; we take them for granted. In Western religious traditions, the spiritual […]
Why the “Domination” Paradigm Fails and the “Communion” Paradigm Endures Through decades of studying the rise and fall of the ancient Maya civilization of Central America, one of my areas of interest has been the formation and decline of “kingship,” how power was gained and wielded and how it failed. Universally, and from a whole-systems […]
Are They “Individuals” or “Persons?” In the early 1960s I was photographing quite a lot in Cincinnati’s Findley Market downtown. This woman turned and saw that was pointing my camera at her, so she turned and posed. I took the shot, thanked her and we moved on. After writing my post, “The Typewriter and Authenticity,” […]
Attending to light fosters deep perception and appreciation I was nineteen and majoring in photography at Rochester Institute of Technology when I made a commitment to the regular practice of black & white photography as a medium of personal growth. Prompted by insights gained from some images I’d made, I sat alone in my car […]
Chapter 14: Pattern (The final in this series) Through repetition, patterns create visual harmony, rhythm and order, all of which can contribute to meaning and create a sense of stability and symmetry which is pleasing to the eye. Patterns are apparent in the energy fields within atoms, the immensity of the cosmos and the way […]
Chapter 13: Line Harrold, South Dakota Lines serve to define length, distance and shape, indicating boundaries and separate forms, textures and colors that move the eye and create the illusion of depth—like railroad tracks to the horizon. Physically, they can be many or few, take many shapes, have thickness and depth, length and texture with […]
Chapter 11: Key The terms “low key” and “high key” are often used in photography. They refer to photographs that are overall bright or dark. “High Key” images are predominately light or white, like a white cat sitting on a white sofa. “Low Key” is dark and somber, a black dog in a dark tunnel. […]
Chapter 10: Gradation Aesthetically speaking, “gradation” refers to a gradual or graded change of tone over a surface. Artists refer to it as a grading of “values.” In color photography, gradation can be a transition from one hue to another or to a different level of saturation or brightness. In black and white, it’s the […]
Chapter 9: Geometry Artistically, form and geometry are interconnected but distinct creative dimensions with unique expressive roles. The previous chapter on “form” was about creating a three-dimensional sensibility on a two-dimensional substrate, usually an electronic screen or paper; the object was to create the sensibility of depth. “Geometry” in the context of creative expression, deals […]
Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Contemplative Photography 