Chapter 13: Line Harrold, South Dakota Lines serve to define length, distance and shape, indicating boundaries and separate forms, textures and colors that move the eye and create the illusion of depth—like railroad tracks to the horizon. Physically, they can be many or few, take many shapes, have thickness and depth, length and texture with […]
Chapter 8: Form The shape of an object within a pictorial frame is two-dimensional. To emphasize its three-dimensions, artists use a variety of techniques to emphasize “form.” This can be “soft,” increasing a sense of presence, as if the viewer could feel the subject’s surface. Or “rigid,” angular or brittle, not inviting the sense of […]
Chapter 6: Contrast In photography, “contrast” is the ratio between the darkest dark and the lightest light within a frame. It’s said to be “soft” when there’s very little difference between the lights and darks, “medium” in what we regard as normal, and “high” when an image has both maximum blacks and brightest whites.” Contrast […]
Chapter 2: The Aesthetic Dimensions Artists working in visual media train themselves to perceive beyond looking by continuously imagining or creating actual frames around everything they see. After a while a pattern emerges in the subjects they choose and the materials and techniques that work best. Along with these, they develop certain aesthetic preferences—choices relating […]
Can they provide a model and direction for human evolution? Color texture and geometry combine here to elicit an immediate visceral response—a Wow!— whether from a potential pollinator or a human observer. It’s the energy of attraction. But from where does it originate? From the flower itself? From the image of the flower? From the […]
All flags wave in the winds of nature Aside from the symbolism represented by the stars and stripes, the American flag standing against the sky speaks to me of the contrast between nations and nature, and how the former are dependent upon the latter. The flag, most flags, symbolize a people, a group characterized by […]
Vectors have different meanings and applications in mathematics, biology, psychology, computer science, and other fields. Because the application considered here is their use as an aesthetic tool, a vector will be considered any visual element that guides the viewer’s eye within or around a frame. I think of them as lines of force that give […]
In pictorial art, composition relates to how visual elements are organized within a frame. Both Eastern and Western artists through the centuries developed insightful guidelines to help them maintain the viewer’s attention. Aspiring artists and many in the public appreciate that the organization of elements within a frame influences the viewer’s experience of an image. […]
Technically speaking, “contrast” in the pictorial realm is the ratio between the darkest dark and the lightest light in an image. “Soft” contrast at one end of the continuum indicates that there’s very little difference between the lights and darks, the extreme being a “muddy” or “flat” image, gray overall—as in the image below. […]
Contemplative Photography 