Energy is vibration. It’s largely invisible, but when energy takes a form it’s always geometrical, prescribed by the fundamental laws of physics including gravity and the three Laws of Thermodynamics:
1. Conservation of Energy: Energy cannot be created or destroyed, just changed.
2. Entropy: Matter dissipates; disintegrates. Entropy either stays the same or gets bigger.
3. Heat: As temperature approaches absolute zero, the value of entropy approaches a minimum.
What creates vibration in the first place? The current theory, gaining traction among physicists, is consciousness. (See my posting: “Potential” 9/24/17 for details)
Recently I’ve been making images that combine a nature-made subject with something that is man-made. The above is an example. Here, on the one hand, I’m intrigued by the visual contrast between the living blossom and the rusting metal, and on the other by the differences in these forms. Their “vibrations” and shapes are distinctly different—they are in contrast to one another, but share the same destiny; they’re also equally under the influence of entropy.
Because it is a living system, the visually more vibrant flower disintegrated in just a few days. In contrast, the fence will take decades more to succumb to entropy, even if the structure that supports it is demolished. Eventually, both will revert back to pure energy, the ground state of the universe where nothing is added or lost. And from that ground, vibrations in similar form will once again emerge.
What is anything but spirit taking form?
Alex Gray (Artist)
This continuity of forms, in all their diversity, human or otherwise, reflect the consciousness of the universe. They are said to be “expressions.” And once established, evolution “plays” variations on the form, from sea shells and dinosaurs to automobiles and skyscrapers. Acknowledgement of the fact that forms reoccur is evidenced in sayings such as, “There’s nothing new under the sun,” and “Everything that can be photographed has been photographed.” Insects, automobiles, skyscrapers and human beings are variations on the same universal themes—creatures that crawl, vehicles that transport human beings, buildings that rise to the sky and beings who are self-aware.
Another observation: The “recycling” of forms is much more dynamic in living forms, than in non-living forms: their lifespan is shorter. In the case of human beings however, where form and consciousness are intrinsic, the former is subject to entropy but the latter is not. As Pierre Teilhard de Chardin S.J. said, “We are not human beings having a spiritual experience, we a spiritual beings having a human experience.”
Each time a geometrical form is produced, an expression of the universal oneness is made; it is at once unique in time and place and also timeless and transcendent, representing the particular and the universal.
Nigel Pennick (British author)
About This Image
Title: Daisy In Fence
I was returning from a shoot in a local scrap yard where I placed an assortment of flowers on different metal surfaces. At a “Stop” sign I glanced over and noticed an abandoned elementary school where weeds were growing through a rusted grate. With the “Nature-Made/Man-Made” theme still percolating in my head, I went over to take a look with my camera. The weeds didn’t work, but I liked the pattern in the rusted grate so I went back to the car and pulled out the daisy because the yellow center would “pick up” the sensibility of the rust. Straight shot. Hand held.